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Europe is habitually seen in terms of a polarity between a manly, rough-hewn North and a frivolous, charming South – the former framed in its ‘Germanic’ ethnolinguistic roots, the latter as ‘Romance’ (or Latin). This project aims to explore this ambient, influential ethnotype from its literary-historical origins to its continuing ‘banal’ presence as a frame for social and political relations. It raises the still-burning issue of intra-European national divisions in terms of imputed ‘national characters’ by studying the impact of cultural representations on knowledge production, political prejudices and ideologies.

In all recent European crises, be they related to questions of the economy, immigration, or disease control, an ingrained North-South polarity exacerbates political tensions. Government policies, public information and opinion-making often activate stereotypes that are so rooted as to have become common currency everywhere; crisis situations invariably render these ‘banal’ ethnotypes politically ‘hot’. ETHNOSCHISM addresses this stereotypical repertoire both as a cultural construct and in its political agency, pioneering a combined approach of imagology, knowledge production, and nationalism studies.

The period under consideration extends from 1914 to 1929, which saw the entrenchment of these ethnotypes, fostered by the outbreak of the First World War and the rising of totalitarian regimes in many European states. The project’s source material includes published works from various fields, such as literature, entertainment, cultural criticism, political commentary and war propaganda by public intellectuals and state figures.

Project leader: Dr Francesca Zantedeschi

The project is funded by the European Commission (HORIZON-MSCA-2021-PF-01).